8 (-)- !N/!N/!N - 1289 - Anastassia Rakitianskaia, PDF typeset by editor Shibboleth / Open Athens technology is used to provide single sign-on between your institutions website and Oxford Academic. 10 By the 1470s or 1480s, the first masses appear that use paraphrase in more than one voice: two examples survive by Johannes Martini, the Missa domenicalis and the Missa ferialis. 8 [3] Instruments: A cappella. The texture is mostly homophonic, with occasional moments of polyphony. After Pange lingua he finally turned away from this genre and began to concentrate on smaller forms in more than four voices. Founded in 1973 by director Peter Phillips, The Tallis Scholars were choral scholars culled from the chapel choirs of Oxford and Cambridge. When the Council of Trent prohibited the use of secular songs as sources for masses in 1562, a large corpus of music was no longer available to composers who had been ransacking it for parodies; those composers who followed the Council's dictates often returned to using monophonic hymns and plainsong, sources which suggested the paraphrase technique. Society member access to a journal is achieved in one of the following ways: Many societies offer single sign-on between the society website and Oxford Academic. For these sections, text may have been added later by copyists from the scriptorium. One of the earliest readings of the complete mass seems to be preserved in the Vatican choirbook MS Cappella Sistina 16, copied in Rome around 1515-1516 by Claudius Gellandi for use by/in the Cappella Sistina. Composer: Josquin des Prez, Number of voices: 4vv Voicing: SATB Choose this option to get remote access when outside your institution. [5] The hymn, in the Phrygian mode, is in six musical phrases, of 10, 10, 8, 8, 8, and 9 notes respectively, corresponding to the six lines of the hymn. 0.0/10 The ensemble is widely regarded as the world's finest exponent of Renaissance sacred choral repertoire, its fame resting on a distinctive purity of tone that unfailingly illuminates the complex interweaving lines of polyphony. View your signed in personal account and access account management features. - Michrond (2012/5/12), Complete Score If you see Sign in through society site in the sign in pane within a journal: If you do not have a society account or have forgotten your username or password, please contact your society. Contextual translation of "missa pange lingua" into English. Missa Pange Lingua By Josquin des Prez (1440-1521) - Book [Softcover] Sheet Music for Choral - Buy print music HL.14026186 | Sheet Music Plus. [2] Famous copyist Pierre Alamire included it at the beginning of one of his two compilations of masses by Josquin. Description: For information, refer to the Mass page. 0.0/10 2 The form which contains a burden is what? 6 Josquin was heading for the wide open spaces as he concluded his mass career. Josquins shortest mass setting is based on a melody by his revered teacher Johannes Ockeghem and contains a moving musical tribute to the older composer. Benedictus 6. Categories: Cantores Carmeli Linz/Performer Stenov, Michael/Performer WIMA files Recordings Feller, Paul-Gustav/Editor Rakitianskaia, Anastassia/Editor Garvin, Allen/Editor Blume, Friedrich/Editor 2 (-) - !N/!N/!N - 601 - MID - Reccmo, MID file (audio/video) A cappella. 10 This became the fundamental modus operandi for serious composers of the 16th century. Gloria Page visited 40,180 times Powered by MediaWiki 2 4 6 half-step imitation and concluding with a manipulation of the very perception of time through a web of simultaneously sounding rhythmic levels: the now-familiar tune appears in the soprano voice floating at half-speed above the supporting voices, and all voices gradually relax into a languorous imitative mantra of the final prayer "dona nobis pacem: grant us peace." XVI C 4, f. 73v (Cambrai antiphoner, c. 1508-1518), Editorially supplied material: Plainchant intonations of Gloria and Credo Bach's Cantata no. 6 ctesibius (2009/12/4), Kyrie An almost identical reading of the mass in the choirbook Jena, Thringer Universitts- und Landesbibliothek, MS 21, copied in the same scriptorium between 1521 and 1525, makes it highly probably that the readings in BrusBR IV.922 and JenaU 21 may have been copied from twins, originating from the same exemplar, but each with additional annotations which may have slightly differed from each other. 10 Klenz p. 169: "Well known to students of counterpoint as an imposed cantus firmus, this sequence of notes is one of the most gnomic groupings of tones ever devised by Western music". (-)- !N/!N/!N - 134 - Michrond, Bass trombone melody, placed ostentatiously in long notes at the top of the texture. 0.0/10 (-) - !N/!N/!N - 117 - MP3 - Stenov, 4. Josquin's Missa Pange Lingua incorporates this compositional technique. 10 Based on a substantial chant melody, it deploys mathematics in a number of clever, but rewardingly audible ways. (-)- !N/!N/!N - 495 - Agarvin, PDF typeset by editor 0.0/10 0.0/10 Their readings also include additional editorial reworkings. - (-)- !N/!N/!N - 130 - Michrond, Trombone 2 *#218219 - 0.03MB, 2 pp. 2 However, given that by this time Josquin was living back in Cond-sur-lEscaut, a long way from Fossombrone (where Petrucci was), it is quite possible that he wrote the mass earlier than 1514, which Petrucci didnt know. lacks Agnus Dei II; jumps from Agnus Dei I to Agnus Dei III. Paraphrase masses were written relatively infrequently in England and Germany, especially after the Protestant Reformation. 140 is a more easily recognized cantus firmus work, a chorale cantata. Josquin treats the "Agnus Dei" supplications as the cycle's clear culmination, and he evokes this prayer with complex subtlety, beginning with a threefold (triune?) pp. Josquin's Missa Pange lingua, even though its model, the hymn Pange lingua, was associated with Eucharistic practices that were exclusively Catholic. [4], Later in the 16th century, paraphrase remained a common technique for construction of masses, although it was employed far less frequently than was parody technique. Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z. 10 The Mass takes its name from the Corpus Christi hymn Pange lingua of St. Thomas Aquinas. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide, This PDF is available to Subscribers Only. The Missa Pange lingua of Josquin des Prez: The vocal and choral music of the Renaissance provides a great wealth of repertoire for the small mixed choir composed of young and most ly untrained singers. 0.0/10 Like most musical settings of the mass Ordinary, it is in five parts: Most of the movements begin with literal quotations from the Pange lingua hymn, but the entire tune does not appear until near the end, in the last section of the Agnus Dei, when the superius (the highest voice) sings it in its entirety, in long notes, as though Josquin were switching back to the cantus-firmus style of the middle 15th century. Josquin - Missa Pange lingua & Missa La sol fa re mi. - This difference really does help to define this piecein all the other masses, even the late ones, these parts peak on the same note or within a note of each other. Agarvin (2020/4/26), Complete Score It was a common means of mass composition from the late 15th century until the end of the 16th century, during the Renaissance period in music history, and was most frequently used by composers in the parts of western Europe which remained under the direct control of the Roman Catholic Church. Indeed, during this period, it was the favored method of using Gregorian chants to construct masses.[6]. Josquin Desprez has enjoyed the highest esteem both of his contemporaries (Martin Luther called him the "Master of the Notes"), and of music historians since his day. 4 2 Ludwig Bhme & Kammerchor Josquin des Prez - Josquin Desprz: Missa Pange Lingua (2011) 17-01-2019, 04:08 Artist: Ludwig Bhme & Kammerchor Josquin des Prez Title: Josquin Desprz: Missa Pange Lingua Year Of Release: 2011 Genre: Classical Quality: FLAC (image + .cue, log, scans) Total Size: 249 MB 0.0/10 Josquin's moments of greatest compositional reserve, such as the stillness of "Et incarnatus est," or the bare canonic structure which opens the Benedictus, do not represent emotional withdrawal, but rather a greater serenity, on the one hand, and a feeling of expectancy, on the other. It is also sung on Maundy Thursday during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. *#47987 - 2.26MB, 25 pp. The effect is curiously cathartic, as though the listener, having been "teased" throughout, is finally allowed to enjoy the Credo - [06:45] 04. [7], Josquin uses imitation frequently in the mass, and also pairs voices; indeed there are many passages with only two voices singing, providing contrast to the fuller textures surrounding them. The Hosanna is also extraordinary, with its deliberate change from duple to triple time. we would all be a bit more comfortable if you could just skip all the classical crap and go straight to opeth, which is where music truly begins. This is similar to what aspect of . 6 0.0/10 6 Founded in 1959, the American Choral Directors Association (ACDA) is a nonprofit music-education organization whose central purpose is to promote excellence in choral music through performance, composition, publication, research, and teaching. 10 The analysis portion of the chapter discusses Josquin's imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. Choral Journal is a benefit of membership in the American Choral Directors Association. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. - Josquin was the greatest composer of the Renaissance, respected and emulated by his contemporaries, and as significant a figure in his own day as Beethoven was in the early 19th century. In addition, Josquin pioneered the techniques of word-painting that played an important role in the music of the late Renaissance. These partbooks were in the possession of cardinal Giulio de' Medici. Apart from a few mistakes and some alternative cadential formulas, it delivers a reading of the Mass which, in principle, is quite in agreement with its reading in VatS16. - Josquin was heading for wide open spaces as he concluded his mass career. Apparently, in some musical circles in Rome, certain aspects of Josquin's setting, as well of its notation, already held the odium of being "old-fashioned. *#203161 - 0.00MB - 2:12 - (-) - !N/!N/!N - 127 - MID - Michrond, MID file (audio/video) Can a Renaissance mass be composed by the throw of dice? After Pange lingua Josquin finally turned away from the genre and began to concentrate on smaller forms. 2 [3], The hymn on which the mass is based is the famous Pange Lingua Gloriosi, by Thomas Aquinas, which is used for the Vespers of Corpus Christi, and which is also sung during the veneration of the Blessed Sacrament. Winter Sale: 65% OFF 03 d: 12 h: 01 m: 21 s. View offer. 6 With their recording of Missa Pange lingua in 1986, Peter Phillips and The Tallis Scholars began one of the most ambitious projects in recording history. All voices are given equal weight, and the score achieves a motivic unity which was a significant change from previous practice. 0.0/10 10 The analysis portion of the chapter discusses Josquins imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. In the Missa pange lingua, all voices carry variants of the hymn, with the beginnings of successive phrases marking points of imitation in the mass. *#203160 - 0.01MB,? 8 6 Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive and extraordinarily beautiful, and contributes to a sonority that's unusually rich and luminous. For terms and use, please refer to our Terms and Conditions *#404326 - 0.36MB, 42 pp. The fact that it suddenly appears in seven sources throughout Europe around 1515, all originating a long way from where Josquin was, might suggest a considerably earlier date of composition. The melody is sung in Latin . Album Rating: 5.0Fair point - Blackwater Park review coming up next. Last edited on 15 February 2021, at 04:12, https://en.wikipedia.org/w/index.php?title=Paraphrase_mass&oldid=1006852821. 0.0/10 4 *#622064 - 0.20MB, 3 pp. Gloria 3. And yet, with such complete impregnation of the work by the substance of the chant model, Josquin hardly misses an opportunity to enhance with symbolism and text-painting his presentation of the Mass Ordinary text. - History. 10 XVI-71/73, Cambrai, Bibliothque municipale, Impr. In those Ordinary movements with little text, the structure of melodic phrases in general leaves no doubt where repetition of text has been intended, particularly in the long-winded duos in the Sanctus. During his lifetime, this was the most frequently performed piece that Josquin had ever writtenand it kept fascinating music scholars as far removed from Josquins time as the 18th century. Its second phrase is used in the next section, phrases three and four appear in the Christe, and phrases five and six in the second Kyrie. An innovator of the first order, he was the principal architect of the "point of imitation" style, in which a motif introduced in one voice is imitated in another, then another, enabling the polyphonic texture to grow from a pair of voices to four, five or six before a cadence is reached and the process begins again with a new round of entries. [5] Most of his masses based on hymns are paraphrase masses. basis of melodic lines and points of imitation, Cambrai, Bibliothque municipale, Impr. Features triple meter and imitative polyphony. 10 First commercially published in 1929. He pioneered chanson and motet b. Since the style of the composition points to a rather late work by Josquin, singing of the mass may have been restricted for a period to the church of Cond. Since 1981, the group has made more than 40 critically acclaimed recordings on its own record label, Gimell; its 1987 recording of Josquin's Missa Pange Lingua and Missa La Sol Fa Re Mi won Gramophone's coveted Record of the Year. General Information Title: Missa Pange lingua Composer: Francisco Lpez Capillas Lyricist: Number of voices: 6vv Voicing: SSATBB Genre: Sacred , Mass Language: Latin Instruments: A cappella First published: Description: Based on the more hispano version of the Pange lingua chant External websites: In other Hosannas (Ave maris stella, Malheur me bat) he swopped between them quickly, or even had them both going at the same time; but here the sections are substantial and demarked. 1-5 8 This mass is based on the hymn Pange Lingua Gloriosi Corporis Mysterium by Thomas Aquinas (ca.1225-1274). Its redaction makes clear that additional remarks and rewritings, as added by the copyists in their various exemplars, were not brought into line with each other. The Choral Journal Towards the end its last six notes are transformed into a peaceful motif that turns the closing passage into an insistent prayer. (-)- !N/!N/!N - 182 - Anastassia Rakitianskaia, V. Agnus Dei Traduzioni in contesto per "alla Missa" in italiano-inglese da Reverso Context: Qui, Beethoven ha lavorato, tra le altre, alla Missa solemnis. listen ive been talking to my friends here at sputnikmusic. 2 4 "Pange lingua gloriosi corporis mysterium" (Ecclesiastical Latin: [pande liwa loriosi korporis misteri.um]) is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225-1274) for the Feast of Corpus Christi. 2 *#575453 - 0.06MB, 6 pp. Robin Leaver writes that these four Lutheran Masses all use a "symmetrical, five-movement Gloria in which a central movement (in BWV 236 a duet) is framed by two arias and two choruses.". Album Rating: 5.0This is a hard piece to write about because in a lot of ways it feels like the apex of his abilities without doing any one thing especially incredibly, but I gave it the ol' college try anyhow. True to its name, Missa La sol fa re mi is based entirely on the notes represented by these five solmization syllables on the medieval scale. Josquin wrote 18 mass settings during his lifetime and created a unique compositional method and sound world for each of them. 7 In the Gloria, for example, at the text "Qui tollis peccata mundi," Josquin thins out the texture to a severe canon, which stands out from the preceding moments. Firstpublished: 1539in Missae tredecim quatuor vocum (Hans Ott), no. For texts and translations, see the individual pages: https://www.cpdl.org/wiki/index.php?title=Missa_Pange_lingua_(Josquin_des_Prez)&oldid=1686352, Pages using DynamicPageList parser function, Free choir training aids for this work are available at. - The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. <Missa Pange lingua is also available on <hyperion:link album="CDGIM207">Renaissance Giants</hyperion:link>.</p> 6 PANGE LINGUA- (Latin to english translation) Mario Creado 2.2K subscribers Subscribe 5.2K Share Save 645K views 10 years ago Pange Lingua Gloriosi Corporis Mysterium is a hymn written by St. . *#622063 - 0.06MB, 2 pp. 6 [2], By the beginning of the 16th century, it was becoming more common to use the paraphrased tune in all voices of a polyphonic texture. Josquin Desprez - Pange lingua Mass, Gloria . Josquin's Missa Pange lingua is composed on material derived from the melody to which, from the 13th century onwards, Thomas of Aquinas's adaptation of a hymn by Venantius Fortunatus may have been most frequently sung. 6 8 Jeremy Noble: "Josquin des Prez", 12, Grove Music Online, ed. 2 Josquins nameless mass is his second entirely canonic setting and shows the fruits of his experience in mathematical writing. View the institutional accounts that are providing access. The refrain of a carol. Paraphrase. In many of Josquins mass-settings the musical development culminates in the final movementnot unlike a Romantic symphony: the Agnus Dei of Missa Malheur me bat is a magnificent example and one of the greatest tours de force in the repertoire. - Individual melodies with occasional marked cadences. 14452, f. 243r-v (Gradual Sanctus - [02:54] 05. - Constant flow more feasible because of increased variation in rhythm. Other. The Missa Pange lingua is considered to be Josquin's last mass. 10 Introducing MuseScore Learn! Jan van Eyck, The Ghent Altar (1432, detail) artinflanders.be (photo: Hugo Maertens, Dominique Provost). *#572203 - 3.79MB - 4:08 - 4 2 While the mass is usually dated sometime after 1514 as a consequence, David Fallows recently suggested a slightly earlier composition date of approximately 1510. [1] It was not available to Ottaviano Petrucci for his 1514 collection of Josquin's masses, the third and last of the set; additionally, the mass contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. Notes *#572206 - 3.97MB - 4:20 - Palestrina used paraphrase technique in 31 of his masses, second only to parody, which he used in 51. 8 *#622066 - 0.02MB,? (-)- !N/!N/!N - 216 - Anastassia Rakitianskaia, III. Missa Pange lingua (Josquin) - from CDH55374 - Hyperion Records - MP3 and Lossless downloads Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Free shipping for many products! Towards cadences between two or more voices in imitation, the leading voice may approach the close of its line with a short improvisation on a foregoing melodic element, or by a subtle embellishment that not infrequently functions as exclamation sign. Take a look. Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive. The term burden refers to what? *#622065 - 0.20MB, 3 pp. Apart from the absence of the original 'Pleni sunt celi,' the 'Benedictus' and the second Agnus dei sections, BrusBR IV.922 has no particular errors, but includes 8 unique readings: three melodic variants, one rhythmic substitution, two unique ligatures and two variant cadence formulas. "Peter Phillips absolutely lives this music and with The Tallis Scholars you get clarity of texture, exquisite phrasing and a luminosity of tone . However, the introduction of a b-flat before the third note of the 'Pange lingua' motive at the start of the Credo (Bassus/Contra, mm. Josquin des Prez's masses are works of towering genius, notable for the purity and expressiveness of their musical language. 41, the Jupiter Symphony. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account. 10 Although including a number of editorial reworkings, the reading in Toledo, Biblioteca Capitular, MS B.16, copied 1542 in Toledo, may be a later descendent of the Roman tradition as transmitted in VatS16. 0.0/10 If your institution is not listed or you cannot sign in to your institutions website, please contact your librarian or administrator. 2 2 In those sections with much text, the opening of a phrase is sung to a minimum of notes, which strictly follows the declamation of the text. Some societies use Oxford Academic personal accounts to provide access to their members. 6 4 Michrond (2012/5/12), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License - Kyrie - [06:32] 02. 10 The Benedictus is truly a bold conception, taking the now-customary method of conjoined duets a stage further, by having just two voices answering each other in the most fragile of conversations. 2 Click the account icon in the top right to: Oxford Academic is home to a wide variety of products. Background [ edit] *#203158 - 0.01MB,? - Derived from a hymn called pange lingua. 8 0.0/10 Given the quality of these unique readings, most of them may be the result of some performing practice outside the composer's control. Title: Missa Pange Lingua - Pange lingua, gloriosi, WAB33 - [05:48] 11. It is distinguished from the other types of mass composition, including cyclic mass, parody, canon, soggetto cavato, free composition, and mixtures of these techniques. The madrigal, An Approach to both in its performance with solo _ . Josquin Desprez - Pange lingua Mass, Kyrie (Mass) a. 4 "[9], Rather than being a summation of his previous techniques, as can be seen in the last works of Guillaume Dufay, Josquin's mass synthesizes several contrapuntal trends from the late 15th and early 16th centuries into a new kind of style, one which was to become the predominant compositional manner of the Franco-Flemish composers in the first half of the 16th century. [20], Mizler translation, tables XXIII, XXIV, XXVII, XXIX, XXX. Josquin des Prez - Missa Pange Lingua- Kyrie (3:40)- Gloria (7:35)- Credo (7:35)- Sanctus (14:27)- Benedictus (18:44)- Agnus (21:32)Tallis VocalisConducted b. 0.0/10 6 - *#572204 - 6.51MB - 7:06 - 4 It was common in the early and middle 15th century for a work such as a motet to use an embellished plainchant melody as its source, with the melody usually in the topmost voice. Gloria - [04:38] 03. 8 The way in which he took a plainchant hymn (written by Thomas Aquinas for the feast of Corpus Christi) and divided its six short phrases so straightforwardly among all four voice-parts had profound repercussions for later Renaissance music throughout Europe. Kyrie Agnus Dei I and III from Missa Pange lingua Josquin Dum vastos Adriae fluctus Jacquet de Mantua (1483-1559) Friday, February 26, 2021 at 8pm . Nonetheless, apart possibly from Mater Patris, we are still referring to Josquins last mass, written when he was over 60. Oxford University Press is a department of the University of Oxford. 10 10 0.0/10 In these works, the source hymns are often presented in a condensed form. Sanctus / 5. The parody mass , also known as the imitation mass (for the use of the word "parody" implies no satire, but is based on a misreading of a 16th-century source), uses many voices from a polyphonic . 10 4 *#218222 - 0.02MB, 2 pp. Building on the simplest four-note motif imaginable, Josquin creates some of his most densely argued and thrilling polyphony in the Missa Faysant regretza world of protean, swirling references and repetitions. 2 0.0/10 2 hide caption. As such, the Missa Pange lingua is considered to be one of the finest examples of a paraphrase mass.[6]. His Missa Ave regina celorum (written between 1463 and 1474) is similar to a cantus firmus mass in that the tune is in the tenor, however it is paraphrased by elaboration (and he also includes bits of his own motet on that antiphon, foreshadowing the parody technique). 4 Josquin wrote two entirely canonic massesAd fugam, the earlier one, may be his most rigid and mathematically dense composition. Request Permissions, Published By: American Choral Directors Association. [3][10], Building on Josquin's fugal treatment of the Pange Lingua hymn's third line in the Kyrie of the Missa Pange Lingua, the "Do-Re-Fa-Mi-Re-Do"-theme became one of the most famous in music history. And the texture shifts instantly to a contrasting and introspective affect upon the cry "miserere nobis." Many compositions in fauxbourdon, a characteristic technique of the Burgundian School, use a paraphrased version of a plainchant tune in the highest voice. *#572202 - 2.55MB - 2:47 - Of his 18 reliably attributed masses, the Missa Pange lingua deserves its high popularity, both for the beauty of individual moments, as well as for the elegance of its formal design. Missa Mater Patris exemplifies Josquins late-in-life, daring simplicity: gone is the dense polyphonic argumentinstead we hear light, open textures delivered with a good deal of wit, even playfulness. 4 ensemble and with smaii choir, has RcnsiisssiriCG Pcrforniricc P rscticc 8 Sanctus 2 This source-based study reveals how Lutherans selected the Missa Pange lingua for performance over other available masses and adapted it for their liturgical and pedagogical needs. It was not formally published until 1539 by Hans Ott in Nuremberg, although manuscript sources dating from Josquin's lifetime contain the work. 4 The institutional subscription may not cover the content that you are trying to access. This national publication, issued monthly, contains articles and columns of a scholarly and practical nature in addition to reviews of newly released CD recordings, books, and printed music. (-)- !N/!N/!N - 57 - Agarvin, ZIP typeset by editor 8 Scholars, judging by stylistic criteria and by the fact that this mass does not appear in Petrucci's third volume of Josquin's masses (published in 1514), generally concur in placing it late in his oeuvre. 4 This is the kind of simplicity that can inspire a composer who has tried it all. Jena, Thringer Universitts- und Landesbibliothek, MS 21, Vienna, sterreichische Nationalbibliothek, Handschriftensammlung, Ms 4809, Munich, Bayerische Staatsbibliothek, Musiksammlung, Musica MS 510, Leipzig, Universittsbibliothek, MSS Thomaskirche 49/50, Regensburg, Bischfliche Zentralbibliothek, MS C100, Rostock, Bibliothek der Wilhelm-Pieck-Universitt, MS Saec. (-)- !N/!N/!N - 1763 - Reccmo, Engraving files (MusiXTeX) The middle parts still constantly overlap, but although they both have the same lowest note, there is a crucial difference of a third in their top notes. As an additional introduction to this style of setting, the editorial underlay of the Ordinary texts (which sometimes deviates from the setting's edition in the New Josquin Edition) may demonstrate the way in which the composer generated his inspiration. When on the society site, please use the credentials provided by that society. This slow abandonment of the chant as a starting point for the middle movements is also unique. Therefore it looks as if the 'Alamire' scriptorium first obtained a copy of the mass in which the rather highly demanding settings for two soloists were replaced by other settings, and only somewhat later obtained a fair copy of Josquin's original version. Benedictus - [05:04] . In these sections it is fascinating to rediscover the composer's step-wise presentation of text. It is probably Josquins last mass settingbut it definitely is one of his best: the way Missa Pange lingua realizes a democratic conversation between all four voice parts had profound repercussions for later Renaissance music throughout Europe. 4 In this respect the added editorial ficta in the score, as related to this particular aspect, is primarily meant as a stimulant for personal investigation.
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